In 2004, when the Smithsonian Institution's National Museum of the American Indian opened in Washington D.C. it was a Tony Abeyta painting that served as the official illustration of the new museum's opening. The specially commissioned mixed-media work, called “Anthem,” is now part of the museum’s permanent collection. This commission alone was a prestigious accomplishment for an artist but it was not the first by Tony Abeyta: The widely successful Navajo artist had been commissioned six years earlier to create "The Four Directions" as the signature image of the groundbreaking.
W. Richard West, the museum’s founding director, has written of Abeyta’s work: “His art is never static or complacent and is, instead, fearless, always changing, always moving; constantly pushing to new places of artistic creativity and resolution.” Bryant Nagel Galleries (formerly Turquoise Tortoise) has represented Tony Abeyta since he walked through its doors nearly thirty years ago. At seventeen years old he laid all his work out on the floor to show and the gallery has been representing him ever since.
Tony Abeyta, who grew up in Gallup, New Mexico, began his artistic path early studying at Santa Fe’s Institute of American Indian Arts; he went on to study in France and Italy before receiving his BFA from the Maryland Institute College of Art; he then studied at the Santa Fe Institute of Fine Arts and the Art Institute of Chicago before receiving his MFA from New York University. The work of Tony Abeyta combines vision and intuition with the colors and textures of his homeland; though his pieces draw on his Navajo (Diné) heritage, they have a universal feel. The artist finds it is often a combination of acrylic and oil paints, gold leafing, encaustic wax and collage elements that best translates his ideas onto canvas. He uses sand to build his paint into richly textured layers achieving a dramatic sculptural dimension.
“I want my work to reinforce the ideology of Indian religion, its strength, its beauty and semblance,” Tony Abeyta says. “I work to create an interpretation of deities translated through myself and given an identity devoid of their actual documented existence. … This system of ritual belief is the most important basis in Indian culture and ensures its infinite existence.” The distinctive work of Tony Abeyta is in constant transition. "Painting for me leaves no stone unturned within its context,” he says. “I experiment with images, techniques and mediums, translating paint into an image both personal and spiritual."
Tony Abeyta is the recipient of the 2012 New Mexico Governor’s Excellence in the Arts award; he is recognized as a Native Treasure by the Museum of Indian Arts & Culture in Santa Fe, NM. Throughout the summer of 2017, his exhibition “Tony Abeyta: Convergence” ran at the Museum of Northern Arizona in Flagstaff while 2019 saw his work included in “Six Navajo Masters” at the prestigious Booth Western Art Museum north of Atlanta, GA. His work is included in the Smithsonian’s National Museum of the American Indian, Boston Fine Arts Museum, the Heard Museum in Phoenix, AZ, New Mexico Fine Arts Museum, the Autry Museum in Los Angeles, CA, and the Eiteljorg Museum in Indianapolis, as well as many other public & private collections throughout North America, Europe and Japan.